"Rapids," a new solo guitar piece by Martin Lloyd Howard, serves as a poignant reminder that technical exercises can evolve into something much more poignant and potent. What began as an exercise in left-hand fretboard extension and pinky finger mobility, this composition has evolved into a vibrant aural adventure reflecting the dynamic nature of a meandering river.
"Rapids" offers a feeling of swift, fluid, intentional propulsion. The pacing is immediate, which channels the restless energy of water rushing over rocks. Howard pairs all this speed with a soothing, almost meditative undercurrent in his music, so it’s not overwhelming to the listener. The piece breathes, ebbing and flowing between faster sections and slower, more reflective ones that echo water gathering into hushed eddies.
One thing that makes "Rapids" really interesting is its accessibility. It’s rooted in classical guitar technique, but it doesn’t come off as closed or too academic. Rather, it welcomes listeners in and presents a tableau that is comfortable to view and easy to empathize with. The images are vivid but unfettered. Howard’s playing can take listeners to a riverside place, where they can follow the moment, season, and mood of the music.
As part of that larger push, "Rapids" fills a substantial gap in the repertoire for classical and nylon-string guitar. It demonstrates that revival pieces in the style can be both fun for audiences and tough on musicians.