Jonsor's second album, "Gaueko Idazkiak," is very mature and emotional. It's a seven-track journey that feels more like a personal diary whispered under the moonlight than an album. This 18-minute, 55-second project shows that being short and real can be very powerful.
Jonsor writes and plays all of the instruments, creating a soundscape that is natural, warm, and very human. Singer Nahia joins him, her voice soft yet strong, and together they create a chemistry that turns each song into a shared emotional story. Their chemistry is what makes "Gaueko Idazkiak" tick, infusing every note with openness and art.
The album has an almost random energy, like a creative spark that needed to be captured right away. It came from winning a music contest. Three of the songs were recorded live, which kept the rough flaws that make the listening experience feel personal and unfiltered. The project has a jazz-influenced, indie-folk feel, thanks to subtle percussion and rich double-bass overlays. The natural sound of each instrument also gives it a realness that many modern productions don't have.
"Zu, hain garden," a thrilling, beautiful song that stays with you with quiet intensity, "How would it be," which mixes introspective lyrics with a subtly striking arrangement, and "Butterfly," a song that feels like an emotional release in musical form, are some of the best tracks. Every song shows a different side of Jonsor's songwriting, with some lines very clear and others more poetic.
"Gaueko Idazkiak" is like talking to an old friend late at night, unexpected, honest, and hard to forget. With this release, Jonsor not only keeps his promise as a multi-instrumentalist and storyteller, but he also sets the stage for what could be a defining voice in the next wave of intimate, genre-blending music. This is the first album to show quiet confidence, and it reminds us that sometimes the quietest records have the biggest impact.