Theo Moss shines with “Autopilot” her debut single a deep introspection and raw glance into her time as a new artist. Immersed in classical music for over a decade, the violinist-turned-songwriter finds freedom outside of it, at least a sound with toes as calloused as it is colorful.
“Autopilot” opens with a static-filled intro that signals a new beginning, ushering in an evocative, guitar-driven soundscape. It glides seamlessly into an infectious pop-rock melody, offsetting breezy instrumentation with a palpable emotional heft. Moss’s hauntingly expressive vocals lead you through a soul-crushing story of helplessness, seeing someone you love in pain and wishing you could protect them from hurt.
“I wrote ‘Autopilot’ about someone doing wrong by the person you love and feeling rage and helpless,” Moss says, in a statement. “You know you’re not going to be able to save them, but you want them to feel safe again.” Remarkably, this emotional complexity is integrated effortlessly into “Autopilot,” offering the undercurrent of disquieting crescendo, leading you toward its climax entrapment.
“Autopilot” is an audacious pivot from Moss’s classical background, demonstrating that invention can be as impactful as tradition. With “Autopilot,” she introduces herself as an artist to watch and further proves that she has a knack for writing songs that will resonate well beyond the fade out.
With its infectious melodies, captivating lyricism and undeniable heart, “Autopilot” is a bold first step into what looks to be a bright new chapter for Theo Moss. But hold on this is only the outset.